Emotion and Modifier in Henry Rider Haggard's Novels

Salim Sazzed

The 5th Workshop on Narrative Understanding N/a Paper

TLDR: In recent years, there has been a growing scholarly interest in employing quantitative methods to analyze literary texts, as they offer unique insights, theories, and interpretations. In light of this, the current study employs quantitative analysis to examine the fiction written by the renowned Bri
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Abstract: In recent years, there has been a growing scholarly interest in employing quantitative methods to analyze literary texts, as they offer unique insights, theories, and interpretations. In light of this, the current study employs quantitative analysis to examine the fiction written by the renowned British adventure novelist, Sir Henry Rider Haggard. Specifically, the study aims to investigate the affective content and prevalence of distinctive linguistic features in six of Haggard's most distinguished works. We evaluate dominant emotional states at the sentence level as well as investigate the deployment of specific linguistic features such as modifiers and deontic modals, and collocated terms. Through sentence-level emotion analysis the findings reveal a notable prevalence of "joy"-related emotions across the novels. Furthermore, the study observes that intensifiers are employed more commonly than the mitigators as modifiers and the collocated terms of modifiers exhibit high similarity across the novels. By integrating quantitative analyses with qualitative assessments, this study presents a novel perspective on the patterns of emotion and specialized grammatical features in some of Haggard's most celebrated literary works.